<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.3 20210610//EN" "JATS-journalpublishing1-3.dtd">
<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">evestnik</journal-id><journal-title-group><journal-title xml:lang="ru">Российский социально-гуманитарный журнал</journal-title><trans-title-group xml:lang="en"><trans-title>Russian Social and Humanitarian Journal</trans-title></trans-title-group></journal-title-group><issn pub-type="epub">2224-0209</issn><publisher><publisher-name>State University of Education</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.18384/2224-0209-2013-2-770</article-id><article-id custom-type="elpub" pub-id-type="custom">evestnik-770</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>РУССКАЯ ФИЛОЛОГИЯ</subject></subj-group></article-categories><title-group><article-title>«ДОКУМЕНТАЛЬНАЯ УТОПИЯ» БЕРНХАРДА КЕЛЛЕРМАНА: ФАКТ И ВЫМЫСЕЛ В РОМАНЕ «ТУННЕЛЬ»</article-title><trans-title-group xml:lang="en"><trans-title>BERNHARD KELLERMANN'S "DOCUMENTARY UTOPIA": FACT AND FICTION IN THE NOVEL "THE TUNNEL" ("DER TUNNEL")</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Стрельникова</surname><given-names>А. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Strelnikova</surname><given-names>A. ..</given-names></name></name-alternatives><email xlink:type="simple">noemail@neicon.ru</email></contrib></contrib-group><pub-date pub-type="collection"><year>2013</year></pub-date><pub-date pub-type="epub"><day>30</day><month>06</month><year>2013</year></pub-date><volume>0</volume><issue>2</issue><fpage>36</fpage><lpage>36</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Стрельникова А.А., 2013</copyright-statement><copyright-year>2013</copyright-year><copyright-holder xml:lang="ru">Стрельникова А.А.</copyright-holder><copyright-holder xml:lang="en">Strelnikova A...</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.evestnik-mgou.ru/jour/article/view/770">https://www.evestnik-mgou.ru/jour/article/view/770</self-uri><abstract><p>В статье рассматриваются способы достижения документализма в романе немецкого писателя Б. Келлермана (Kellermann B.) «Туннель» (Der Tunnel»), предвосхитившего эстетику «новой деловитости» («Neue Sachlichkeit»). Сочетание документализма с жанрами фантастики и утопии обусловило особое место писателя в литературе Германии начала ХХ в. Выдвигается предположение о «псевдодокументальной» стратегии Келлермана в романе «Туннель».</p></abstract><trans-abstract xml:lang="en"><p>The article considers the ways of achieving a documentary effect in the novel «Der Tunnel» by German writer B. Kellermann. It' s stated that the novel in many respects anticipates the aesthetics of the «Neue Sachlichkeit» movement. The combination of the documentary discourse and genres of fantasy and utopia led Kellermann to a special place in German literature of the first half of the twentieth century. The article discusses the hypothesis of the "pseudo-documentary" strategy in Kellerman's novel.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>экспрессионизм</kwd><kwd>документализм</kwd><kwd>утопия</kwd><kwd>фантастика</kwd><kwd>миф</kwd><kwd>псевдодокументальный</kwd><kwd>киностиль</kwd></kwd-group><kwd-group xml:lang="en"><kwd>«новая деловитость»</kwd><kwd>Expressionism</kwd><kwd>«Neue Sachlichkeit»</kwd><kwd>documentary style</kwd><kwd>utopia</kwd><kwd>fantasy</kwd><kwd>myth</kwd><kwd>pseudo-documentary</kwd><kwd>cinema-style</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Андреев Л. Живая книга // Андреев Л. Собрание соч. в 6 томах. Т. 6. — М.: Изд-во «Худ. лит-ра», 1996.</mixed-citation><mixed-citation xml:lang="en">Андреев Л. Живая книга // Андреев Л. Собрание соч. в 6 томах. Т. 6. — М.: Изд-во «Худ. лит-ра», 1996.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Келлерман Б. Туннель / Пер с нем. П.С. Бернштейн. — М.: Изд-во «Правда», 1981.</mixed-citation><mixed-citation xml:lang="en">Келлерман Б. Туннель / Пер с нем. П.С. Бернштейн. — М.: Изд-во «Правда», 1981.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
